Perfect Vermin Smash first, ask later

The job sounds simple: exterminate the vermin hiding in the office. The tool is a sledgehammer, and it breaks nearly everything in the building. The trouble is telling a vermin from an innocent filing cabinet. They disguise themselves as chairs, fridges, copiers, even toilets, and they tend to sit where furniture has no business sitting. So you swing first and apologise never, because the wrong guess still ends in splinters. Every level gives you a quota and a timer, usually around 90 seconds, so you learn to read a room fast: which desk looks a little too alive, which lamp is standing somewhere a lamp should not. When you hit the right one, it moans and bursts into gore. When you hit the wrong one, it still feels great.

Nobody explains where you are, what the vermin are, or why you were hired. The story arrives in drips: a television newscaster, visibly unwell, delivers instructions and fragments of a plot that only makes sense at the very end. The horror here is not jump scares. It creeps in through off-putting visuals, a quiet soundtrack that gets under your skin, and the slow realisation that the creatures you have been gleefully smashing might be something else entirely. The ending reframes the whole 15 minutes, and it is open enough that people still argue about what it means. Some find it too abrupt and wish there were more meat on the bone. Either way, you will think about it after the credits.