$4.99 (−80%)Killer Frequency Save Callers With Your Voice
A first-person horror comedy where you host a late-night radio show and try to keep a killer's victims alive over the phone.
Is Killer Frequency worth it?
Killer Frequency is worth it if…
- you like solving a mystery by digging through a place rather than fighting through it
- you enjoy tense conversations where your exact words decide who survives
- you have a soft spot for 80s slasher movies and their glorious overacting
- you want a story game with multiple endings and choices that genuinely cost lives
- you would rather be the voice on the phone than the one running through the corn
Screenshots
Clues on the desk, answers on the line
The mystery does not solve itself over the phone. Around the studio sit cassettes, notes and records from Gallows Creek's past, and what you find there feeds straight into your calls. A detail dug out of a drawer can be the thing that convinces a caller to trust you, or the piece that tells you who is really behind the whistling. The story comes together across one long night, and the better you know the town, the better your odds of getting everyone to sunrise.
Every call is a decision
The phone rings, someone is hiding, and the killer is getting closer. That is the whole engine of the game: branching conversations with panicked, eccentric townsfolk where your exact words decide whether they make it. There is no gun and no running from anything. You talk, you think, you choose, and the game keeps score in lives. It is surprising how much pressure a dialogue option can carry when the wrong answer is permanent. Some conversations do run long, and there is no way to skip them.
A radio station that actually runs
Between emergencies, you still have a show to host. The studio is a lovingly detailed slice of 1987, full of physics-based gadgets you can actually use: a working cassette deck, a record player, a mixing desk with sound effects, and a wastebasket that works just fine as a basketball hoop. The soundtrack runs from 80s rock to synthwave, the cast is fully voiced, and the tone leans into slasher-movie camp with a dark streak. It is funny, it is tense, and somehow both at once.
